LIVE REVIEW : NICK LOWE AT UNION CHAPEL 09/05/2014

What a change from my previous Nick Lowe gigs, just being able to board the tube and 40 mins later I'm in front of the venue. The gig was was the first of a series of 3 shows that Mr Lowe was playing at The Union Chapel (described by our host of the night as "The Ryman auditorium of North London". It was a rare occasion to catch Mr Lowe in solo mode as when he tours the UK he usually performs with his wonderful backing band.

We managed to find nice seats at the balcony top of the venue after I had purchased the limited edition poster made especially for that run of 3 shows (100, all signed by Mr Lowe himself). Opening act was american country singer John Doe who's signed to same record label as Nick Lowe in the US Yep Roc Records. I had watched a couple of videos on YouTube and was expecting to like him a lot but I was left a bit disappointed in the end. Maybe it was a combination of an early start (7.30pm), a set list relying quite heavily on ballads and a guitar sound that was a bit too quiet (in comparison to Nick Lowe's one later on). I must investigate his records to make a definite opinion.

Lowe came on stage at 8.45 and launched straight away into "Where's my Everything" followed by "Heart", a song first released on Rockpile's Seconds of Pleasure album. The song selection didn't stray too much from the one Lowe has been playing for the last few years but he kept it fresh with a few new additions. We were treated to "I'm a Mess" from The Convincer and a really good cover of "Travelin' Light" originally played by Cliff Richard and The Shadows. There was quite a few instruments set up on stage and even if the red Nord keyboard on left gave a clue that Geraint Watkins would be joining the proceedings at some point, I was wondering who would be playing the guitars on the left. The question was answered mid-gig when Lowe invited John Paul Jones to join him on bass for "Stop Light Roses". Jones stayed till the end playing bass, mandolin and guitar on all the songs (adding a really good mandolin solo to "Checkout Time"). Geraint Watkins joined on "House for Sale". The main set finished with a rousing version of a "I Knew The Bride When She Used to Rock'n'Roll". Watkins and Lowe came back on stage to play "Only A Rose" from Watkins's excellent "Dial W for Watkins" album which was followed by a surprisingly good cover of "Everybody's Talkin" (which Lowe introduced by saying "no safety net on this one") were Lowe and John Doe shared the lead singing. Last song of the night was Lowe's most famous tune "What's So Funny About Peace , Love and Understanding"

  

LIVE REVIEW : GRUFF RHYS AT SOHO THEATRE 05/05/2014

A three day weekend, beautiful weather and two gigs, what more could you ask. I thought I would enjoy The High Llamas more than Gruff Rhys but the exact opposite happened. I came out of the gig really impressed by the guy and his musicianship. It was my first time at Soho Theatre, and a wonderful place it is. They do simultaneous shows at the same time. The Gruff Rhys performance (you'll see while I use that term later on) was due to start at 9.15 pm in the Theatre that's located upstairs while a comedy night was running downstairs from 8pm. The venue has a n ice bar area and you can get a good pint of Czech beer for a reasonable price so all good for me.

The show was the first of a 5 night residency that Rhys was playing to promote his latest project American Interior. A multimedia offering (movie, record, book and app), it tells the story of John Evan's, a distant relative of Rhys who lived during the 18th century. Welsh born, he immigrated to America to find an Indian tribe who were said to have been descendants of a mythical Welsh figure of the 12th century called Madoc. Madoc is said to have discovered the American continent before Christopher Colombus. The night opened with a corny beginning of the eighties documentary on Madoc featuring a silver haired and over-enthusiastic Welsh Historian recounting the tale of Madoc. After the movie finished, Rhys came on stage wearing a hat made out of toy wolf. The screen used for projecting the documentary was also used for a slide show (displaying low battery warnings towards the end of the show) that Rhys used in between songs to narrate the story of John Evans quest through The United States. A mixture of tongue in cheek humour and genuine affection for his ancestor provided a very entertaining evening. Playing Solo, Rhys used a myriad of low tech gizmos to accompany him and looped in own voice to create beautiful sounding harmonies on several numbers. The chord structures of his songs are really simple but the vocals he puts on top are simply astounding. He really is a fantastic singer and storyteller. He was accompanied for the whole show by a puppet representing John Evans (quite heavily featured in the slideshow too).

LIVE REVIEW : THE HIGH LLAMAS AT THE ISLINGTON 03/05/2014

I must admit that one was a bit of a blind buy. The Llamas are a band that I kept putting on the "I must check them out list" but other bands kept coming and they were being put back at the end of the queue. I had missed the tickets for the first show at The Islington but managed to grab one for the second night before it sold out. I went to the gig with no knowledge of the bands back catalogue (something I tried to avoid usually) but still managed to recognize a couple of tracks from their latest LP Talahomi Way that I had listened to on YouTube (shame on me). It wasn't my first time at The Islington as it was there that I saw Jason Falkner a couple of months ago. It's a nice little venue with a set-up similar to The Half Moon in Putney where the venue is separated from the bar area. The stage was a bit small for a band like The Llamas but they managed to squeeze everybody on it.

These two shows were the first in two years for the band and even though they did a spot on job, you could feel that a couple of extra days of rehearsals would have made them a little more comfortable on stage, especially with the number of chord changes and tricky time signatures that Sean O'Hagan seems to fit in every song. You could could see bass player Jon Fell cringing after  making mistakes on a couple of songs. Sean O'Hagan seemed to be enjoying the performance stopping at one point to shake an Italian's fan hand who came all the way from his home country to see the band's return to live performance. The show seemed to cover pretty much all their record with former guitarist John Bennett helping them out on a few numbers. I'm glad to have seen the gig but would gladly go and see them again with a few more gigs behind them (not that they tour much but hey...). Just bough Hawaii so at least attending the show finally triggered my discovery of their discography.